Michael Nyman - The Piano Theme (Heart Asks Pleasure First)
Uploaded by: joolsscott
Video Description:
I have always found Nyman's Theme from The Piano an enchanting melody, with a simple yet powerful feeling to it. It is familiar somehow, the melody and chords are inspired by ancient music which has been passed down from our ancestors, deep within our conciousness
In this improvised interpretation I tried to bring out a more hypnotic emotion by using repetitive and flowing phrases. I hope you enjoy!
visit my webpage - http://www.joolsscott.co.uk
You can download my most recent 10 track piano album for $4 at http://payloadz.com/go/sip?id=467446
Michael Laurence Nyman (born March 23, 1944, London) is an English composer of minimalist music, pianist, librettist and musicologist, perhaps best known for the many scores he wrote during his lengthy collaboration with the filmmaker Peter Greenaway.
Nyman studied music composition at the Royal Academy of Music in London. In 1969, he provided the libretto for Harrison Birtwistle's opera, Down by the Greenwood Side and directed the short film Love Love Love before settling into music criticism, where he is generally acknowledged to have been the first to apply the term "minimalism" to music (in a 1968 article in The Spectator magazine about the English composer Cornelius Cardew). He wrote introductions for George Frideric Handel's Concerti Grossi, Op. 6 and conducted the most important interview with George Brecht in 1976.
Nyman, who had studied with the noted Baroque music scholar Thurston Dart at King's College London, drew frequently on early music sources in his scores for Greenaway's films: Henry Purcell in The Draughtsman's Contract and The Cook, the Thief, His Wife & Her Lover (which included Memorial and Miserere Paraphrase), Heinrich Ignaz Franz von Biber in A Zed and Two Noughts, Mozart in Drowning by Numbers, and John Dowland in Prospero's Books.
Nyman's popularity increased significantly after he wrote the score to Jane Campion's award-winning 1993 film The Piano. The album became a classical music best-seller. Although Nyman's score was central to the movie, he did not receive an Academy Award nomination despite being nominated for both a British Academy Award and a Golden Globe. He has scored numerous other films, the majority of them art films from Europe. His few forays into Hollywood composing have been Gattaca, Ravenous (with musician Damon Albarn), and The End of the Affair. He wrote settings to various texts by Wolfgang Amadeus Mozart for "Letters, Riddles, and Writs", part of Not Mozart. He has also produced a soundtrack for the silent film Man with the Movie Camera.
opera Noises, Sounds & Sweet Airs (1987), for soprano, alto, tenor and instrumental ensemble, ballet La Princesse de Milan;
Ariel Songs (1990) for soprano and band;
MGV (Musique à Grande Vitesse) (1993) for band and orchestra;
concertos for saxophone, piano (based on The Piano score), violin, harpsichord, trombone, and saxophone & cello recorded by John Harle and Julian Lloyd Webber;
the opera The Man Who Mistook His Wife for a Hat (1986), based on a case-study by Oliver Sacks; and four string quartets.
Michael Nyman Band, Carlo Goldoni's Il Campiello. rebecs and shawms saxophone
Experimental Music: Cage and Beyond (Catalan, Spanish and French
John Cage Portsmouth Sinfonia World's Worst Orchestra
Bridge Over Troubled Waters Martin Lewis produced 20 Classic Rock Classics Sinfonia
Social Orchestra Stephen Foster. Ravenous
Peter Greenaway's The Falls Fourth Wall Hands To Take.
Ada McGrath
Live Earth in Japan.
古典钢琴演奏家
音乐会
古典的なピアノ
音楽
Tags for this video: Asks Australian classical Dickinson First folk Harvey Heart holly hunter Keitel Lizards Michael Nyman Orbie piano Pleasure sacrifice song soundtrack the theme titch TV
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Greatzz and respect from Amsterdam
I'm starting a christmas collection on my channel, for your listening pleasure. Come over and have a listen ;)
we'd like to hear a piece made by you!
But You Need To Bring It Down An Octive :)
I don't know if you play reguests, but if you do, could you please give us your interpretation of Ludovico Einaudi's Passaggio?